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Composer, designer, technologist and educator

Interactive/Immersive

Space Within (2022)

producer, composer, sound, interface & software designer; a concert of interactive music challenging and reshaping conventional roles in a concert setting; featuring a quartet of musicians and a fifty-member audience; interactive objects and custom software programs facilitate and mediate audience participation; performed by JoVia Armstrong, Matthew Nelson, Prawit Siriwat and Teerath Majumder

A Shot in the Dark (2023)

composer & sound designer; a theatrical immersive multimedia piece by Qianru Li critically examining Asian-American identity through a personal and intellectual engagement with the killing of Akai Gurley in 2014 and the racially motivated tensions that ensued
[Stereo mix samples] (o
riginal mix is 6-channel)

Mothership Calling (2021)

software & sound designer; an immersive sound installation by Nicole Mitchell exploring Black Joy through an Afrofuturist lens

Intonation (2019)

software & sound designer; a system of virtual instruments designed and tuned to the body and movement of a dancer to allow them to initiate and affect sonic events using Mugic® sensor along with a musician

Total Running Time (2022–23)

software & audio system designer; an immersive multimedia installation dealing with disability, imprisonment and surveillance. The work utilizes transducers to excite wall surfaces inviting patrons to take part in a sonic, visual and haptic experience.
[More information]

Electronic/Cross-Processing

Crossroads (2020)

composer & software designer; a piece commissioned by the bass clarinet-marimba duo Transient Canvas exploring electronic cross-modulation; performed by Transient Canvas
[Score]

Confluence (2020)

composer & software designer; a piece for pierrot ensemble-minus-piano exploring electronic cross-modulation; performed by Hub New Music
[Score]

GB (2017)

composer; a piece of guided improvisation for double bass and electronics; performed by Sebastian Gramss and Teerath Majumder
[Score]

Mouno Shonchar (2021)

producer, arranger, programmer & recordist; an album of interpretations of traditional Bangla songs; exploring cross-cultural approaches in recontextualizing their text and using creative sound design as a mode of word-painting

Repeat After Me (2021)

producer, programmer & composer; a piece exploring electronic dance music in the context of contemporary movement

Panchil Topke (2020)

producer, programmer & composer; a project with Bangladeshi artist Taraga exploring modes of collaboration through electronic manipulation of each other's sound materials

Walk Through Eden (2019)

producer, software designer & composer; a generative piece investigating degeneration and the perception of distance in both space and time

Music for Dance

Underwater (2022)

producer & composer; fixed media electronic piece for choreographed movement; exploring polyrhythmic texture formation in sync with movement parts, and game-like narrative development; choreography by Kelly McGill

Entropy and the Absurdity of the Universe (2016)

producer & composer; fixed media electronic piece for choreographed movement; examining perception of time through linear and non-linear arrangement of recorded events passed through electronic effects-processing; choreography by Himangini Puri

Striae (2017)

producer & composer; fixed media electronic piece for choreographed movement; an attempt to draw contours consisting of straight lines through sound and movement; choregraphy by Himangini Puri

Music/Sound for Film

Domestic Bliss (2017)

composition, programming & sound design; an experimental short film reminiscing on the creator's personal relationships in both childhood and adulthood, and how they speak to each other; written and directed by Charlotte van de Graaff

Glitter and Be Lit (2017)

composition; an experimental short film commenting on the relations between self-image, mental health and the makeup industry through a humorous caricature of the makeup video trope; written and directed by Charlotte van de Graaff

Syllabi

Space as Instrument

An in-depth examination of the technical, aesthetic, social and political roles space plays in various fields of sonic arts and daily life through spatial creativity
[Syllabus]

Music Production and Sound Design

Music, Mathematics and Programming

A comprehensive introduction to DAW-based audio production focusing on content creation, digital processing and workflow
[Syllabus]

An introduction to musical applications of computer programming through concepts at the intersection of music and mathematics
[Syllabus]

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